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Three years ago, hard working men and women the world over were collectively under the assumption that their nest eggs were secure, their homes were the safest of all investments, and that the economy was on the upswing. Then, with virtually no warning, their lives were turned upside down, as an entire generation saw their dreams dashed and plans dismantled. It all happened with the Speed of Darkness. Nothing has mattered more to Flogging Molly than their new record, Speed of Darkness. "It wasn't the album we set out to write," vocalist/guitarist Dave King says. "It became the album we had to write." Musically and lyrically, Flogging Molly has never sounded so mature or rousing, nor have the messages of alienation and hope behind their songs ever been so relevant. Speed of Darkness was written over several months when the band would descend into the basement of King's Detroit home—a home he shares with his wife, Flogging Molly fiddler, Bridget Regan (they maintain dual residences in Ireland and Detroit, where Bridget was born and raised). As the country struggled to stay afloat, the songs evolved into odes to the working man and battle cries against the elite establishment that so quickly and callously cast him aside. "I write from my surroundings," King says. "I wanted people who've lost their jobs to know I was paying attention. We're singing for them, all of these good people brought to their knees." Nowhere is this more apparent than on the charging and bluesy track "The Power's Out." ("The power's out, there's fuck all to see/The power's out, like this economy/The power's out, guess it's par for the course/Unless you're a bloodsucking leech CEO"). <p>With Speed of Darkness, the band went into unchartered territory. The album was recorded at Echo Mountain Recording Studio, which is housed in a converted church in Asheville, North Carolina. The setting underscored a record that continually asks hard questions of faith and suffering, of belief and deliverance. "We liked making music in a building that had been a voice for the community," King says. "We just wanted to sing a little louder than they had before." And sing louder they did. Songs like "A Prayer for Me in Silence" and "The Cradle of Humankind" are journeys through hardship and heartache, through besieged homelands and losses that open like chasms. Other tracks like "This Present State of Grace" and "Oliver Boy" are songs of searching, of country and democracy, songs that bear witness to the glory and terror of being human. Speed of Darkness also marks the debut of Flogging Molly's own record label Borstal Beat, which they founded after a great run with SideOneDummy, their home for the last decade. The new chapter in the band's life also makes perfect sense: they're more independent than ever, more themselves than ever. "We're more serious now and we're taking risks. It's who Flogging Molly is," King says. Flogging Molly has never conformed to industry tastes; they've always been the outcasts who put their fans before commercial success, and they've always put their music before marketability. The rewards of such independence and integrity are undeniable on Speed of Darkness. You feel it from the first note to the last, the pathos and the passion, the sweeping and rollicking electricity of inspiration.